Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Francois-Edouard Picot
Cybee protee contre le Veuve les villes de Stabiae Herculaneum Pompei et Reina

ID: 73627

Francois-Edouard Picot Cybee protee contre le Veuve les villes de Stabiae Herculaneum Pompei et Reina
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Francois-Edouard Picot Cybee protee contre le Veuve les villes de Stabiae Herculaneum Pompei et Reina


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Francois-Edouard Picot

(10 October 1786 - 15 March 1868) was a French painter during the July Monarchy, painting mythological, religious and historical subjects.   Related Paintings of Francois-Edouard Picot :. | Cybele protects from Vesuvius the towns of Stabiae | Cybele protects from Vesuvius the towns of Stabiae, Herculaneum, Pompeii and Resina | Cybele protects from Vesuvius | Cybee protee contre le Veuve les villes de Stabiae Herculaneum Pompei et Reina | Cybele protects from Vesuvius the towns of Stabiae |
Related Artists:
Johannes van Wijckersloot
Johan Hendriksz Van Wijckersloot (1557- 1602) Born in Utrecht, Utrecht, Netherlands on 20 Oct 1557 to Hendrick Roelofsz Van Wijckersloot and Antonia Gosina Van Benthem. He passed away on 27 Jul 1602 in Utrecht, Utrecht, Netherlands
Ammi Phillips
(1788-1865), a self-taught New England portrait painter, is regarded as one of the most important folk artists of his era. Phillips was born in Colebrook, Connecticut, and began painting portraits as early as 1810. He worked as an itinerant painter in Connecticut, Massachusetts, and New York for five decades. In 1924, a group of portraits of women, shown leaning forward in three-quarter view and wearing dark dresses, were displayed in an antique show in Kent, Connecticut. The anonymous painter of these strongly colored works, which dated from the 1830s, became known as the "Kent Limner," after the locality where they had come to light. Stylistically distinct from those of the "Kent Limner," a second group of early-19th-century paintings emerged after 1940 in the area near the Connecticut?CNew York border. Attributed at the time to an unknown "Border Limner," these works, dating from the period 1812?C1818, were characterized by soft pastel hues, as seen in the portrait of Harriet Leavens, now in the Fogg Art Museum, Harvard University. It was not until 1968 that Ammi Phillips's identity as the painter of both groups of portraits was established. Additional works were identified, showing the artist's transition from the delicate coloration of the Border period to the bold and somber works that followed.
Tadeusz Kuntze
painted Art. in 1754-1755






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